Discussion about this post

User's avatar
Frank Dent's avatar

Not sure if I get what Jennings is on about with her three-mood structure. Without specific story examples, it’s hard to test her ideas.

Take this famous ~5K-word comic story, Eudora Welty’s “Why I Live at the P.O.”:

https://art-bin.com/art/or_weltypostoff.html

A classic of indirect exposition, I don’t see three moods there. In fact, I don’t really even see beginning-middle-end. Rather, it has a long middle (since the method of telling drops us right into the ongoing story to start) and a very short end.

I wonder if Jennings is mostly thinking about genre stories. Non-genre stories may often be structured differently?

And yes, I would enjoy hearing your takes on oddball books, what makes them tick. I imagine there’s probably an X factor with unusual works outside of structure and the rest of it. Trying to pin that down should be interesting.

Expand full comment
Sylvia Wrigley's avatar

I try to do five-minute sparks of new ideas, which I'm pretty sure I got from Kathleen Jennings. I love her work and did you know? She did the cover art for my novella. <3

https://www-test.barnesandnoble.com/blog/sci-fi-fantasy/exclusive-cover-reveal-domnall-and-the-borrowed-child-by-sylvia-spruck-wrigley-a-tor-com-novella/

Expand full comment
4 more comments...

No posts